The oft-hostile beats were either loved or hated, but the lyrics received almost universal praise from critics and hardcore, underground and mainstream rap luminaries, as well as the dedicated fans who actually managed to hear the fucking thing (indie rap wasn’t easily found at one’s nearby Sam Goody in 1997). Its reception was more mixed than is so often true of cult-classic albums, many of which are either critically adored and low-selling or widely disliked and much later reappraised and properly appreciated. The same is true of producers in various genres, from Flying Lotus and Clams Casino to Mike Will and Metro Boomin. But any modern-day MC who juggles shit-talking, social consciousness, menace and personal introspection, from Danny Brown and Kendrick Lamar to Pusha T in his recent solo work and even Young Thug in his most surreal material, owe it no small debt. Lif, Cannibal Ox, Del tha Funky Homosapien and others. The most obvious descendant, of course, is Run The Jewels, co-headlined by Flow’s rapper-producer El-P, and before that the Definitive Jux roster including Aesop Rock, Cage, Mr. Considering where hip-hop is now, it’s impossible to think of Funcrusher Plus, the first full-length LP that Brooklyn trio Company Flow released, as anything less than epochal.
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