![]() These days, it’s largely a stereo world but it’s still important to check for mono compatibility-after all, when listening to speakers, you don’t have perfect stereo separation. ![]() This was of crucial importance when mastering for vinyl, because it could indicate if there were out-of-phase audio components in the audio that could possibly cause the stylus to jump out of its groove. ![]() In brief, the Correlation meter (the bar graph at the Phase meter’s bottom) indicates a stereo signal’s mono compatibility. This gives some insights into the phase, level, and stereo spread of individual tracks in a way that’s more revealing than just looking over panpots. However, one very useful technique is putting it in the master output bus, and soloing one track at a time (remember, you can Alt+click on a track’s Solo button for an “exclusive solo” function). Most people consider a tool like the Phase Meter as being only for checking final mixes. ![]() But I wonder if the Phase Meter and its companion Correlation Meter get the props they deserve, so let’s look at what this combo can do for you. I’ve always appreciated Studio One’s analytics-the spectrum analyzer, the dynamic range meter in older versions and the more modern LUFS metering in Studio One 4, the K-Scale meters based on Bob Katz’s research, the strobe tuner, and the ability to stretch the faders in the Mix view when you want to couple high resolution with long fader travel.
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